《涉渡之舟》内容简介

　　本书是一本深刻而富有见解的新时期中国女性写作与女性文化的研究专著，非常彻底而全面地用女性主义的观点对新时期代表性女性作家作品进行了富有创新的研究(包括张洁、戴厚英、宗璞、谌容、张抗抗、张辛欣、王安忆、铁凝、刘索拉、残雪、刘西鸿，方方、池莉等重要作家)，发现女作家作品中时隐时现的女性视点与立场的流露，提出了女性写作的“花木兰式境遇”——化妆为超越性别的“人”而写作的追求，在撞击男性文化与写作规范的同时，难免与女性成为文化、话语主体的机遇失之交臂，并在有意无意间放弃了女性经验的丰富庞杂及这些经验自身可能构成的对男权文化的颠覆与冲击。本书是国内研究新时期女性写作的奠基性著作。

　　本书作者戴锦华最早运用文本细读的方法和西方文学批评理论，从女性主义的角度成功地再解读中国重要女作家的创作，成为今天的一种范式。戴锦华的强大和缜密超越了简单的女性立场。她有理论，但保着敏感和热情。她有视野与深度，不流于一声叹息。更可贵的是，她的视野穿越了学院，来到了广阔的社会中间，她看到繁华表象下遮蔽的另一种叙事。她是一个真正的思想精英。

　　作者简介

　　戴锦华，北京人。曾任教于北京电影学院电影文学系。现任北京大学比较文学与比较文化研究所教授，博士生导师，美国俄亥俄州立大学东亚系教授。曾在美国、欧洲，日本，中国香港、台湾等数十所大学任客座教授。从事电影史论、女性文学及大众文化领域的研究。著有《浮出历史地表——现代中国妇女文学研究》，《电影理论与批评手册》，《镜与世俗神话——影片精读十八例》，《隐形书写——90年代中国文化研究》，《犹在镜中——戴锦华访谈录》，《涉渡之舟：新时期中国女性写作与女性文化》，《电影批评》，CinemaandDesire：AFeministMaxismandCultralPoliticsinDaiJinhua'sworks等专著10余卷。

Introduction to the contents of the Boat Involved in Crossing

This book is a profound and insightful research monograph on Chinese women's writing and female culture in the new era. It thoroughly and comprehensively studies the works of representative female writers in the new era from the perspective of feminism (including Zhang Jie, Dai Houying, Zong Pu, Chen Rong, Zhang Kangkang, Zhang Xinxin, Wang Anyi, Tie Ning, Liu Sola, Can Xue, Liu Xihong). Fang Fang, Chi Li and other important writers), found that female writers in the works of the hidden and emerging female perspectives and positions, put forward the "Mulan situation" of women's writing -- the pursuit of writing as a "person" beyond gender, while colliding with male culture and writing norms, inevitably miss the opportunity for women to become the subject of culture and discourse. And intentionally or unintentionally give up the rich and complex female experience and these experiences themselves may constitute subversion and impact on the patriarchal culture. This book is a foundational work of domestic research on women's writing in the new era.

Dai Jinhua, the author of this book, was the first to use the method of close reading of texts and the theory of Western literary criticism to successfully re-interpret the works of important Chinese women writers from the perspective of feminism, which has become a paradigm today. Dai's strength and meticulousness go beyond a simple female stance. She has theories, but remains sensitive and passionate. She has vision and depth, not just a sigh. What is more valuable is that her vision passes through the college and comes to the broad society, and she sees another narrative hidden under the surface of prosperity. She is a true intellectual elite.

About the author

Dai Jinhua, from Beijing. He taught in the Department of Film Literature of Beijing Film Academy. He is currently a professor at the Institute of Comparative Literature and Culture, Peking University, and a professor at the Department of East Asian Studies, Ohio State University. He has served as a visiting professor at dozens of universities in the United States, Europe, Japan, Hong Kong, Taiwan, etc. He is engaged in research in the field of film history, women's literature and popular culture. He is the author of "Rising to the Surface of History - A Study of Modern Chinese Women's Literature", "Handbook of Film Theory and Criticism", "Mirror and Secular Mythology - Eighteen Cases of Film Intensive Reading", "Invisible Writing - A Study of Chinese Culture in the 1990s", "Still in the Mirror - Dai Jinhua Interview", "The Boat of Crossing: Chinese female writing and female culture in the new period ", "film criticism", CinemaandDesire: AFeministMaxismandCultralPoliticsinDaiJinhua 'sworks monographs such as more than 10 volumes.