内容简介
本书初版于2006年中国台湾心灵工坊出版公司，2007年获台湾年轻学者研究著作奖。本书以梅洛‐庞蒂晚期思想为发展线索，以福柯对现象学的批评为收束点，透过梅洛‐庞蒂思想与胡塞尔、柏格森、列维纳斯、福科、德勒兹等哲学家的哲学论辩系谱，将议题部署于三个思考平面上：“身体现象学与身体感”（第一、二章），“现象学之后的视觉存有学”（第三、四、五章），“身体现象学与文化批判”（第六章与附录）。本书将现象学置入现代人文科学的历史系谱，让我们看到了现象学的极限与法国当代哲学的出发点。
作者简介
龚卓军，台湾大学哲学博士，现任职于台南艺术大学艺术创作理论研究所，主要研究领域为现象学与当代法国哲学，长期关注身体哲学、美学、现象学心理学,以及精神分析的相关议题。著有《身体部署：梅洛‐庞蒂与现象学之后》《文化的总谱与变奏》等，译有《人及其象征》《空间诗学》等。
Content introduction
The book was first published in 2006 by Taiwan Spiritual Workshop Publishing Company, China, and won the Taiwan Young Scholars Research Book Award in 2007. This book takes the late thoughts of Merleau-Ponty as a development thread, Foucault's criticism of phenomenology as a closing point, and through the philosophical debate genealogy of Merleau-Ponty's thoughts and philosophers such as Husserl, Bergson, Levinas, Foucault, Deleuze and other philosophers, the issue is deployed on three planes of thought: "Phenomenology of the Body and the Sense of the Body" (Chapters 1 and 2), "Visual Being after Phenomenology" (Chapters 3, 4 and 5), "Phenomenology of the Body and Cultural Criticism" (Chapter 6 and Appendix). This book places phenomenology in the historical genealogy of modern humanities, allowing us to see the limits of phenomenology and the starting point of contemporary French philosophy.
About the author
Gong Zhuo Jun, Ph.D., Taiwan University, currently works at the Institute of Creative Theory of Art, Tainan University of the Arts. His main research areas are phenomenology and contemporary French philosophy, and he has long been interested in body philosophy, aesthetics, phenomenological psychology, and psychoanalysis. He is the author of "Body Deployment: Merleau-Ponty and After Phenomenology", "The Score and Variations of Culture", and has translated "Man and His Symbols" and "The Poetics of Space".
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