《唐宋八大家与清代古文研究》内容简介
唐宋八大家在中国古代散文史上具有重要的地位，而清代是中国古代文学理论的系统总结期，考察清人对待唐宋八大家的态度，既可勾勒出八大家在清代的接受史，有助于更全面地了解清代古文发展脉络，也能在一定程度上总结整个传统散文世界学习八大家的经验，有助于完善和建构古代散文的批评话语，具有相当的开创性。
此书以清人对待唐宋八大家这一文学典范的态度为研究对象，探索清人学习八大家散文以及利用八大家话题建构文学理论的历史状况及其成果。全书以“唐宋八大家”话题为中心梳理清代古文的发展脉络，不仅勾勒主脉，还特别关注每个时期的“异见者”，以展现一个多层次的古文发展态势，大大增加了论述的深度；又从观念史角度入手，探究韩柳苏重要文论在清代的发展，保留了阐释的开放性和包容性；同时，选取了长期被忽略却极为重要的个案进行重点研究，进一步深化了主题。
作者简介
周游，1989年生，江苏泰州人。南京大学文学博士。现为江南大学人文学院副教授，硕士生导师。入选江苏省“青蓝工程”优秀青年骨干教师培养对象，江苏省“双创博士”，江南大学“我最喜爱的老师”。主要研究方向为唐宋古文和清代诗文，在《文学遗产》《文艺研究》等刊物发表论文二十余篇，主持国家社科基金青年项目一项，教育部人文社会科学项目一项。
A brief introduction to the Eight Masters of Tang and Song Dynasties and the Study of ancient literature in Qing Dynasty
The Eight Masters of Tang and Song Dynasties played an important role in the history of ancient Chinese prose, and the Qing Dynasty was the period of systematic summary of ancient Chinese literary theories. Examining the attitude of the Qing people towards the Eight Masters of Tang and Song Dynasties can not only outline the history of the Eight Masters of Tang and Song Dynasties in the Qing Dynasty, but also sum up the experience of learning the Eight Masters of traditional prose in the whole world to a certain extent. The critical discourse, which contributes to the perfection and construction of ancient prose, is quite pioneering.
This book takes the attitude of the Qing people towards the literary model of the Tang and Song Dynasties as the research object, and explores the historical situation and achievements of the Qing people in learning the prose of the Eight people and constructing literary theory with the Eight people's topic. The book focuses on the topic of "eight masters in Tang and Song Dynasties" to clarify the development of Qing Dynasty ancient literature, not only outlining the main vein, but also paying special attention to the "dissenters" in each period, so as to show a multi-level development trend of ancient literature, which greatly increases the depth of discussion. From the perspective of the history of ideas, this paper explores the development of Han Liusu's important literary theory in the Qing Dynasty, which retains the openness and inclusiveness of interpretation. At the same time, it selects the important cases that have been neglected for a long time to carry on the focus research, and further deepens the theme.
About the author
Zhou, born in 1989 in Taizhou, Jiangsu Province. Doctor of Literature, Nanjing University. He is now an associate professor and master tutor of Jiangnan University School of Humanities. Selected in Jiangsu Province "blue Project" outstanding young backbone teacher training object, Jiangsu Province "double innovation Doctor", Jiangnan University "my favorite teacher". His main research interests are Tang and Song Dynasty ancient literature and Qing Dynasty poetry, and he has published more than 20 papers in journals such as "Literary Heritage" and "Literature and Art Research". He has presided over a youth project of the National Social Science Fund and a humanities and social science project of the Ministry of Education.
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