内容简介

　　兵马俑是大秦帝国实力与气度的象征，兵马俑的背后是无数个鲜活的个体在时代中生活过的证明，他们似秦帝国的一个个细胞，成为大秦帝国最鲜活的注解。

　　兵马俑一号坑第三次发掘和秦咸阳城遗址发掘领队许卫红，30年来始终坚持不懈地“寻亲迹”、研究秦史，在本书中，她为我们呈现了兵马俑考古发掘现场诸多细微的发现，它们合力再现了秦代社会的鲜活图景：沿着秦俑家族开枝散叶的脉络，能看到秦人怎样的创新和传承、现实与期望？“物勒工名”制度日臻完善，用“接骨膏”修修补补的兵马俑，代表着秦人的务实还是监管部门的妥协？秦代本土怎样发达的漆器工艺技术支撑着匠人们制造出如此鲜活的彩色兵马俑？修建秦陵的究竟是哪三种人，他们的后勤保障是如何做到的？……

　　而跟随作者探索秦朝鲜活过往的步伐，我们也可以看到更多文物遗址背后秦朝的实相：强弩中的“绝绝子”反映了秦朝在军事方面对游牧民族怎样的追赶和超越？秦始皇“收天下之兵”到底是真是假，政策的实施是否有弹性？“暴秦”对战死的士卒有一套严格的发丧流程，是否可为我们解开一点点“秦国为何会统一天下”的疑惑？骊邑的发展壮大，为大秦帝国稳固全国统治做了哪些贡献……

　　这支沉睡了2200多年的地下军团，其千军万马的形象，气势宏大的军队阵容，无不彰显出秦王统御天下的威势和统御万世的雄心壮志。但武力征伐不代表秦文化，更不是中华文明，要真正看懂兵马俑，我们就不能局限于秦军所向披靡的军事传奇，而应该去多了解兵马俑及兵器所体现的包容性、多元性，这才是秦文化更真实的面貌。

　　1.秦始皇陵兵马俑一号坑第三次发掘领队、秦都咸阳城大遗址项目考古领队许卫红，携手《中国考古大会》十佳选手、全国第一位中学小学博物馆专职教师申珅，倾力打造兵马俑坑考古现场挖掘手记，和“考古侦探”一起走进发掘现场，沉浸式破解被掩盖的秦朝历史真相。

　　2.呈现考古现场一手资料，结合近年秦汉考古重大发现，收录大量考古现场珍贵照片、珍贵文物照片和专业考古绘图，打破对秦始皇的历史滤镜，直面大秦王朝历史本真。

　　3.兵马俑是“会说话”的历史，是破解大秦历史的一把“密钥”，了解兵马俑及兵器所体现的包容性、多元性，读懂秦王朝为华夏文明种下的基因符号，找寻中华文明传承不衰的动力。

　　4.许宏、马伯庸、于赓哲倾力推荐！

　　5.100+幅精美插图，四色全彩印制，线装裸脊可平摊，凸显大秦帝国的气度与雅致。书附赠精美藏书票、考古现场手记折页和明信片。

　　作者简介

　　许卫红

　　女，1966年生，毕业于吉林大学考古学系，陕西省考古研究院研究员。曾参加秦始皇帝陵兵马俑发掘20余年，担任一号坑第三次发掘领队，现任秦都咸阳城大遗址项目考古领队。

　　从事秦汉考古研究30余年，深刻体会到讲好中国故事的重要性，努力以自己的微薄之力向大众普及考古成果。先后在中央电视台《百家讲坛》《考古公开课》等节目分享考古故事，并成为小红书、B站、抖音等平台知识博主，微博拥有近60万粉丝。

　　已出版作品：《说说秦俑那些事》《考古有意思：秦始皇的兵与城》等。

　　申珅

　　女，1992年生，文物与博物馆专业硕士，第九届全国⼗佳“中国文物故事杰出传播者”，2021年《中国国宝大会》十佳选手。

　　从事青少年文博教育近10年，从全国第一位中小学博物馆专职教师，到文博教育自主创业者，再到陕西省考古研究院（陕西考古博物馆）科研工作者，近年来更以科普短视频、组织“薪火文博”公益活动等新的方式，在薪火相传的道路上努力前行。

　　已发表《浅说通俗性考古读物的写作》《秦始皇陵兵马俑为何没有女俑》等文章，主笔编写《博物致智·博物馆课程理念与实践·实践篇》等作品。

Content introduction

The Terracotta Army is the symbol of the strength and bearing of the Qin Empire. Behind the Terracotta Army is the proof of countless living individuals who lived in The Times. They are like the cells of the Qin Empire and become the most vivid annotations of the Qin Empire.

Xu Weihong, the leader of the third excavation of the No. 1 pit of Terra-Cotta Warriors and the excavation of the Xianyang City site of Qin Dynasty, has been relentlessly searching for her family trace and studying the history of Qin Dynasty for 30 years. In this book, she presents many subtle findings of the archaeological excavation site of Terra-Cotta Warriors for us, which together represent a fresh picture of Qin society: What kind of innovation and inheritance, reality and expectation of the Qin people can be seen along the veins of the Qin Terracotta family? The "name of the material" system is getting better and better, and the terracotta warriors repaired with "bone cream" represent the pragmatism of the Qin people or the compromise of the regulatory authorities? How did the developed lacquerware technology of the Qin Dynasty support the craftsmen to produce such vivid color terracotta warriors and horses? Who were the three types of people who built the Qin Mausoleum, and how did they manage their logistics? ...

Following the author's exploration of the vivid past of the Qin Dynasty, we can also see more of the reality of the Qin Dynasty behind the cultural relics: How does the "Zhuanzi" in the crossbow reflect the Qin Dynasty's military pursuit and surpassing of the nomads? Is it true or false that Qin Shi Huang "accepted the army from all over the world" and whether the implementation of the policy is flexible? "Violent Qin" has a strict funeral process for the soldiers who died in battle, can we solve a little bit of "why Qin will unify the world" doubts? What contribution did the development and growth of LiYi make to the stabilization of the national rule of the Qin Empire?

This underground army that has been sleeping for more than 2,200 years, its image of thousands of troops and magnificent army lineup, all highlight the power of the king of Qin to rule the world and the ambition of ruling the world. However, military expeditions do not represent the Qin culture, let alone the Chinese civilization, to truly understand the Terracotta Army, we should not be limited to the invincible military legend of the Qin army, but should learn more about the inclusiveness and diversity of the Terracotta Army and weapons, which is a more true face of the Qin culture.

1. Xu Weihong, the leader of the third excavation of the No. 1 pit of the Tomb of Qin Shihuang and the archaeological leader of the Xianyang City Site Project in Qin, joined hands with Shen Shen, the top ten players of the "China Archaeology Conference" and the first full-time teacher of the museum of middle and primary schools in China, to create a note on the excavation of the archaeological site of the Terracotta Army pit, and entered the excavation site with the "archaeological detective". Immersive decoding of the hidden historical truth of the Qin Dynasty.

2. Presenting first-hand data of archaeological sites, combined with major archaeological discoveries in the Qin and Han Dynasties in recent years, including a large number of precious photos of archaeological sites, photos of precious cultural relics and professional archaeological drawings, breaking the historical filter of Qin Shihuang and facing the historical truth of the Great Qin Dynasty.

3. Terra-cotta warriors are a "talking" history, a "key" to crack the history of Qin Dynasty, understand the inclusiveness and diversity of Terra-cotta warriors and weapons, understand the genetic symbols planted by the Qin Dynasty for the Chinese civilization, and find the driving force for the continuity of Chinese civilization.

4. Recommended by Xu Hong, Ma Boyong and Yu Gengzhe!

5.100+ exquisite illustrations, four-color full-color printing, thread bare ridges can be spread flat, highlighting the bearing and elegance of the Qin Empire. The book comes with an exquisite collection of booklets, a handwritten scroll of the archaeological site and a postcard.

About the author

Xu Weihong

Female, born in 1966, graduated from the Department of Archaeology, Jilin University, researcher of Shaanxi Provincial Institute of Archaeology. He has participated in the excavation of terracotta warriors and horses in the Mausoleum of Qin Shihuang for more than 20 years, and served as the leader of the third excavation of No. 1 pit. He is now the archaeological leader of Xianyang City Site Project in Qin Capital.

He has been engaged in archaeological research in the Qin and Han Dynasties for more than 30 years, and deeply realized the importance of telling Chinese stories well, and tried to popularize archaeological achievements to the public with his own modest efforts. He has shared archaeological stories on CCTV programs like Lecture Room and Open Archaeology Class, and has become a knowledge blogger on XiaoHongshu, B Station, Douyin and other platforms, with nearly 600,000 followers on Weibo.

Published works: Talk about the Terracotta Warriors, Interesting Archaeology: Qin Shi Huang's Soldiers and Cities, etc.

Shen Shen

Female, born in 1992, Master of Cultural Relics and Museums, the 9th National Top 10 "Outstanding Communicator of Chinese Cultural Relics Stories", the 2021 "China National Treasure Conference" top 10 players.

Engaged in youth cultural and cultural education for nearly 10 years, from the first full-time teacher of primary and secondary school museums in the country, to independent entrepreneurs in cultural and cultural education, and then to the scientific research staff of Shaanxi Institute of Archaeology (Shaanxi Archaeological Museum), in recent years, more in the new ways of science popularization short videos, the organization of "torch cultural and cultural" public welfare activities, and other efforts to move forward on the road of the torch.

He has published articles such as "The Writing of Popular archaeological Books in Simple Terms" and "Why There are No Terracotta Women in the Mausoleum of Qin Shihuang", and mainly wrote "The Wisdom of Natural Museums, Museum Curriculum Concept and Practice, Practice" and other works.